Gomez was Born in Colombia and moved to London in 1999. Coming from a family of musicians, he has been recording and playing in bands since his teens. Over the last two decades, he has produced, mixed and mastered a variety of award-winning and charting artists ranging from rock and metal to folk, jazz and electronic music.
His studio, Orgone Studios began in 2003 as "Orgone Mastering" in London, UK. Originally focused on mastering, the increasing demand for Gomez's skills naturally led to the studio's expansion into recording and mixing. This organic shift accidentally turned Gomez into a record producer and mixer. For Mastering Services click here.
He now operates Orgone Studios in Portugal, sharing the same building with Arda Recorders. This location has become his top choice for recording, as it houses all of his equipment and backline.
However, Gomez is also available for off-site recording and production in any studio worldwide. He’s also happy to take care of your mixes and masters remotely.
Gomez was Born in Colombia and moved to London in 1999. Coming from a family of musicians, he has been recording and playing in bands since his teens. Over the last two decades, he has produced, mixed and mastered a variety of award-winning and charting artists ranging from rock and metal to folk, jazz and electronic music.
His studio, Orgone Studios began in 2003 as "Orgone Mastering" in London, UK. Originally focused on mastering, the increasing demand for Gomez's skills naturally led to the studio's expansion into recording and mixing. This organic shift accidentally turned Gomez into a record producer and mixer. For Mastering Services click here.
He now operates Orgone Studios in Portugal, sharing the same building with Arda Recorders. This location has become his top choice for recording, as it houses all of his equipment and backline.
However, Gomez is also available for off-site recording and production in any studio worldwide. He’s also happy to take care of your mixes and masters remotely.
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Mixing & Mastering
Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing, Mastering
Recording, Mixing, Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording
Recording
Mastering
Mastering
Mixing & Mastering
Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Mastering
Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording, Mixing, Mastering
Recording, Mixing, Mastering
Recording, Mixing & Mastering
Recording, Mixing & Mastering
Recording & Mixing
Recording & Mixing
Mastering
Mastering
Mastering
Mastering
Mastering
Mastering
Mixing & Mastering
Mixing & Mastering